(Even if it’s aggressively showoff-y, the centerpiece chase sequence - all done in one shot - is really fun.) Pity that the characters and the dialogue aren’t nearly as wondrous.Ģ5. It’s a technical marvel that never lets up on the visual pizzazz. The Adventures of Tintin (2011): With The Adventures of Tintin, Sielberg’s first 3D motion-capture film, the director delivered one of his most purely freewheeling late-career movies.
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And a Spielberg movie without Spielberg’s soul and essence underneath isn’t nearly good enough.Ģ6. But the other great difficulty is that The BFG is one of the rare times in Spielberg’s career when he seems to be desperately trying to convince us that his heart is in the material. Part of the problem is that the whimsy and fantasy both feel rather leaden - the power of Dahl’s story doesn’t really register. But The BFG never quite springs to life - it always feels more like a theoretically entertaining film than an actual enchantment. Adapting this Roald Dahl tale, Spielberg seemed to be consciously making “a Spielberg movie”: A young girl (Ruby Barnhill) befriends a kindly giant (Mark Rylance) while venturing through a magical land, learning some life lessons along the way. Not terrible, but interesting mostly in the same way that a lot of great directors’ early misfires are interesting.Ģ7. Still, you can sense that the young director isn’t entirely confident yet: The movie’s attempt to satirize a celebrity-obsessed culture feels dated even today, when such a subject writes its own satire. The Sugarland Express (1974): Spielberg’s first theatrical release doesn’t feel like a Spielberg movie at all, sometimes to its credit at times it almost feels like Madcap Malick, if such a thing is possible.
You leave this movie with sugar in your eyes.Ģ8.
The flight scenes are predictably fantastic but Spielberg is too Capra for Capra: He’s dewy-eyed and almost embarrassingly sentimental. Instead of a WWII flyer like Tracy, Richard Dreyfuss plays a fire-fighter pilot who dies on a mission but is sent by an angel back to earth to inspire a younger pilot. Always (1989): An ill-considered remake of the 1943 Spencer Tracy film A Guy Named Joe, Always is a hokey two-hankie war film in search of a war. All told, that might not have been the worst idea.Ģ9. Spielberg would later joke that the film should have been a musical.
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It’s like Spielberg wanted to make a comedy but was also trying to be an Important Filmmaker and just couldn’t figure out how to balance the two. The movie looks great, but it’s shockingly drawn out for a comedy and keeps buckling under its own weight. 1941 (1979): Spielberg’s comedic instincts tend more towards the visual than the verbal, a fact that is apparent in this misfire. We get it, we get it: We need to hold on to our inner child. Dustin Hoffman’s portrayal of Captain Hook comes from the Dick Tracy school of blockbuster overacting, and the film’s unbearably long at almost two-and-a-half hours. But that doesn’t make this cringe-worthy film, which tells the story of a grown-up Peter Pan (Robin Williams in wounded-manchild mode) who has forgotten his true identity and become a cold, heartless lawyer, any more tolerable.
Hook (1991): In some ways, Hook was ahead of its time, pre-dating Hollywood’s current obsession with rebooting and reimagining already existing properties. No wonder Spielberg has spent every opportunity since then apologizing.ģ1. Crystal Skull is easily Spielberg’s laziest, sloppiest work - even the action sequences seem phoned-in - and it’s filled with unforgivable howlers: Shia LaBeouf’s limp attempt at being a bad boy, Cate Blanchett’s hammy villain, the goddamn fridge scene. What was the draw? Years later, the answer still isn’t clear. Indiana Jones and the Kingdom of the Crystal Skull (2008): After four decades cultivating a distinguished and rewarding career, Spielberg decided to sign up for another Indy sequel despite ending the trilogy with its hero literally riding into the sunset. Here’s our ranking of all 32 of Spielberg’s feature films, including Ready Player One, out this week.ģ2. While he’s had his share of duds, the man has continued to challenge himself, tackling different genres and subject matters along the way. We’ve updated it to include Ready Player One.īecause of his enduring mainstream popularity (not to mention the amount of blockbuster filmmakers whose careers he’s inspired), Steven Spielberg doesn’t always receive his due, dismissed in some quarters as merely a “commercial” moviemaker who lacks the soul of a true artist. This list was originally published in October of 2015.